He attends several meetings of the cinematographic community concerning the fate of the suspended Polish Filmmakers Association.
Intervenes with the authorities in matters concerning director's abroad (including Krzysztof Zanussi and Agnieszka Holland).
He works with Michał Żarnecki on the soundtrack for “Blind Chance”.
He writes articles about political developments in the country (for DIP) and analyzing the situation of Polish cinematography.
In autumn he tries to shoot a documentary about the political processes of martial law. Withdraws from development, when it turns out he is only allowed to attend select trials.
At the turn November and December he meets for the first time with attorney Krzysztof Piesiewicz. They soon begin to work closely on a scenario.